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By: A. Lotufo 2025 was, undoubtedly, an infinite mark on the history of cinematography. Many incredible movies and TV shows stood out and captured their audiences, transmitting important messages and feelings.
At the start of every year, film and television award ceremonies are held, events which gather millions of viewers worldwide. People anxiously wait for the ceremonies which award prestigious prizes ranging from “Best comedy series” to “Visual effects”; this year, many Brazilians were proudly represented through awards like Fernanda Torres’ Golden Globe for “Best actress – drama”, or “I’m Still Here”, which won the “International Feature Film” during the Oscars. Unquestionably, it is no ordinary feat to achieve such a distinguished prize. To be nominated is already considered an incredible attainment. But to ensure a non-biased choice, how are the awards decided? Take the Oscars, for example – the 19 Academy branches determine the nominations for “Best Picture”, while also independently settling the nominations for their own sector. Furthermore, in 2025, many filmmaking trends arose. Drones have been used recently to take dynamic shots which used to be too expensive or even impossible to produce. By the use of these drones, aerial images are now accessible even for smaller-scale filmmakers. Additionally, film production has been more sustainable with renewable energy-powered sets, reduced waste and sustainable materials. Lastly, Artificial Intelligence has been used to edit movies, write scripts, and help directors to resonate with audiences to be able to perfectly curate their cinematography. But, as technology progresses, we may wonder if AI will completely replace filmmakers’ creativity. Will we be overusing it, or will it become a powerful tool to help us create diverse and unique films? Technology brings many positive aspects too; we are now able to have a more sustainable and distinctive shots and views on cinematography. As we bring this year to an end, we may ask ourselves what the 2026 film industry awaits. Many believe that “Wicked – For Good” will secure a spot in the nominations for 2026 awards and continue its legacy as the sequel of “Wicked”. On the other hand, many believe that Brazilian films will conquer a place on the podium again. With many up-and-coming movies, like “O Agente Secreto”, will Brazilian movies have the potential to challenge top tier directors and actors? Technology was a persistent trend in cinema this year, with drones, AI, and more. What will technology be used for in the next year? Will it benefit or challenge the industry? As we eagerly wait, it is undeniable that 2026 cinema will stand out, and that there is still much more to come.
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